Review: Great Teacher Onizuka (TV)

3 03 2007

Running time: 27 minutes
Number of episodes: 43
Vintage: 1999-06-30 to 2000-09-24
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Comedy, Drama, Romance, Shounen, Slice of Life
Production: Studio Pierrot, SPE Visual

Source: Anime News Network







Teaching can be a lot more work than just rattling on and causing a room full of 40 people to fall asleep, but only if you make it so. You don’t necessarily need to sugarcoat the description and portray it as a sacred profession, but there’s definitely many ways of interpreting it. However, when you strip away all of the fancy words, it’s still a nine to five job (or rather seven to four) with the added benefit of long paid vacations.

Great Teacher Onizuka is the very manifestation of a special kind of teacher, one that understands the passion in a different way and believes in bonds with the students exemplifying the teacher-student boundaries of respect and mutual need. It’s less about the separation between figures such as a master and his pupils, but instead the relationship between person to person in a given classroom. The classroom is a unit, the teacher is a unit, and together they are yet another unit. There’s certain unwritten rules that keep the two together but also keep them apart. Onizuka basically takes everything that’s important about “street smarts” and puts it in the classroom. The classroom flourishes thanks to his interpretation of what it is to be a teacher that goes beyond a perfect cookie-cutter role model and more like a simple-minded human being susceptible to mistakes just like any other person is.

The first episode is very good at putting you right into the action, which is strange when you consider this is supposed to be about a school teacher. The first few scenes summarize the main character, Onizuka Eikichi, in two very different acts. First one shows his abhorrent perversion for high school girls, as seen when he’s looking up a few girls’ skirts and the other is his badass strength and violent character when he kicks the shit out of two guys that tried to rob him. Then it just hits you, this very person you see doing these lewd and cruel acts is aiming to become the greatest teacher in Japan.

Skipping over the nonsense, you learn right away that Onizuka is finally a student-teacher filling in a temporary position at a private school. He’s assigned a problematic classroom that is full of “low lives,” that make it difficult to teach. Onizuka’s first attempt at taming the class backfired because he’s split between his duty and responsibility as a teacher and his inner rage wanting to kick some disobedient student ass. The classroom turns on him when a group of students and a seemingly innocent high school girl frame him into doing something a teacher should never do. Onizuka just loses his temper and makes their nightmares come true using his background as a gangster. As miraculously as it seems, the students that were once riled up and disobedient became docile and hardworking, contrary to what Onizuka thought would happen.

A special case develops involving the girl that was part of the original set up to force Onizuka to quit his job. Onizuka learns of what’s been bothering her at home and he uses what he knows best to solve the problem. At the end of the short period Onizuka spends at the school as a student-teacher he befriends the most problematic classroom that sees him off in tears, and the girl that he helped offers something special to Onizuka which he correctly describes as “Great!’

The real deal starts after the introductory episode, because as easy as it was for Onizuka to tame a classroom full of dimwit punks and wannabe gangsters, Onizuka faces yet another problematic classroom that has caused all kinds of traumatic experiences for every teacher that has attempted to teach there. The striking difference is that class 3-4 is full of genius scheming middle school students.

You don’t really expect a teacher that can bench-press 150Kg (330lb) to be all that great at teaching social studies, much less able to outwit a classroom full of really smart kids that can do a lot of harm. It may have worked the first time because he fought fire with fire, but now he’s faced with a silent enemy. However, in Onizuka’s crazy and roundabout way he makes them little by little into his friends. The rest of the characters get taken in by Onizuka’s pace and it’ll soon turn into less of a war against the teacher and more about “what stupid shit is Onizuka gonna do today?” As the show progresses characters will change and new characters will be added in to tally up a considerable roster of main characters. It can feel a little predictable as characters “turn over to the dark side,” but there’s always a twist involved that fluffs the experience and makes it worthwhile.

To be honest the show’s main plot isn’t that magnificent but there is a lot to appreciate. Most story bits will reset themselves after being told, making the show less gritty and much more laid back. The way the show is designed I don’t really see it as a bad thing since there’s not much to dwell on once it’s fixed. Basically this means that every episode is self-contained and what may have been the focus point of one episode doesn’t necessarily carry on in the next episode. Some of the situations that are put together are pretty good, others are much less believable, and others are just way out there, but in general the story delivers. GTO is remembered by most of its fans as a very good experience and it certainly was good for its time. I’d honestly say it has legs making it worthwhile to watch by those who missed out.

On the down side, the end of the show happens too quickly and doesn’t really reach any kind of conclusion, thus breaking the overall experience. The anime is supposed to have covered up to volume 14 of the manga, with its own added twists and variations to separate it from the source material. Although GTO is a great show to watch, the end is so lacking that anyone that is truly enamored with the characters and wants a real ending would need to continue reading the manga from volume 15 onwards. Conversely, you might consider starting over from the beginning of the manga and re-digest it all. For some this is fine, but I’m a firm believer in a solid ending for an anime and GTO unfortunately does not have one.

As always with the big successes, even with the rushed ending GTO was popular at the time it came out for many good reasons that I am still able to pick up on and enjoy. There’s very good reasons to be a GTO fan indeed. It’s not going to change your views on teachers or education as a whole, but it’s offbeat enough to carry you through a good deal of crazy school drama coupled with some laughs and smiles all the way through.

Props go to all my previous and future teachers and professors; a few of you did and still do care about more than one’s classroom performance.

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Review: Naruto (TV)

11 02 2007

Running time: 23 minutes
Number of episodes: 220
Vintage: 2002-10-03 to 2007-02-08 (Japanese)
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Adventure, Comedy, Drama, Shounen
Animation Production: Studio Pierrot
Broadcaster:
TV Tokyo
Music Production: Aniplex, SME Visual Works
Production: Studio Pierrot, TV Tokyo

Source: Anime News Network








For most anime fans out there the shounen genre is probably one of the most enjoyable aspects of anime that they can associate with. Many of us grew up with some kind of highly successful and grossly commercialized anime that we just couldn’t get enough of. There was the Dragonball series, Hunter X Hunter, Rurouni Kenshin and many others, but now there’s Naruto.

Naruto, brought to life by Masashi Kishimoto, assimilates all that is good about its largest inspiration, the Dragonball series, and takes it to a new level. Like all good things, it builds upon its main inspiration while injecting its own flavor. Take everything you know about ninjas and throw it away because Naruto changes ninjas forever. From design to application, Naruto is a full-on recreation of ninjas and really pulls it off with its own style and flavor.

The story, for the two of you who don’t watch Naruto — shame on you, is incidentally about a young boy named Naruto. He lives in Konoha Village, a ninja village that forms part of the five great ninja villages. In the world of Naruto peace is upheld by the five great nations with their military power that is manifested in the form of ninjas and consequently their ninja villages that train them. Naruto is scorned by others in the village for reasons unknown to him so most of his childhood was rough. He doesn’t let it get him down, however, because his personality is more explosive and energetic than anyone else’s. He’s determined to become a real ninja and protect the village of Konoha some day, thus becoming acknowledged by the village and be allowed to hold the position of the village’s Hokage. A Hokage is the leader of the village upheld for his strength, wisdom, and protection that he or she must bestow upon the people of Konoha. Naruto dreams to take that very spot in order to fill the void in his heart and to give back to the village even after his wretched experience as a young orphan child.

Of course, things aren’t that easy and you’ll quickly be taken through a wild ride where many other characters have their own objectives and motives to do better and become stronger. Joining Naruto early on are Sasuke and Sakura, two other ninja candidates that form part of Naruto’s team in the academy. Sakura is a lively girl with a crush on Sasuke while Sasuke is the number one student with more than a conceited genius. While rivaling Naruto, Sasuke hides a dark past that becomes more evident in later episodes.

Naruto may be the main character, but there’s a large amount of characters in the story that makes everything much more interesting. The diversity of characters goes beyond different faces and sizes thanks to the divisions of power and strength in the show which are essential to the drama. All the ninja are divided in classes, and starting from the bottom are the kids in the academy. Graduating from there will make them a Genin which is the rank Naruto, Sakura, Sasuke, and others, attain early on in the story. Beyond that is the Chuunin, Jounin, ANBU (comprised of both Chuunin and Jounin ninjas), and the Hokage. It can get even more complex when you consider the divisions of power outside of the village.

Aiding the story is Naruto’s soundtrack which is a crucial piece of the experience and really helps immerse viewers into the show. The upbeat remixed Japanese music sticks in your head and fits the theme of the anime perfectly. Every character’s individual theme is memorable and communicates who they are. The music helps transcend beyond words and delivers meaningful aural information about the personality of the characters. In addition, the high points in the story really shine when every major fight or event is scored by a truly complementing melody or riff that will keep your blood boiling.

Naruto’s first arc is a little slow but it does well to teach the nuances of ninjutsu, taijutsu, and genjutsu — the three basic ninja techniques. The highs and lows of the action are all excellent and give way to a good array of episodes. The show becomes increasingly dark and convoluted as the characters become stronger and attain more skills. From individual skills to ninja military tactics, there’s a certain level of intelligence that really pleases the mind when you’re sailing through watching it. At times it will get a bit too sensational with little return, but when it’s good, it’s really good. If you’re not quite sure why people watch Naruto I would point you towards Naruto’s second arc. It’s one of my favorites and it really pulls off what the show is all about.

Naruto isn’t without major faults, as any self-respecting person who enjoyed the show would have to admit to. Naruto was plagued with the very disease that a lot of shounen anime face at some point in their lifetime — catching up to the manga. Once Naruto caught up its source material, Studio Perriot was faced with very few choices. They could have stopped airing Naruto, but that would of slowed down the momentum the show had and could have destroyed the marketability of the show later on. So instead we endured the pain and suffering of the studio diverging from the main story and inserting “filler” that is irrelevant to the greater story by mangaka Matashi Kishimoto. To be honest not all of the filler is terrible, a few episodes were good enough to watch, but a year of filler is hard to digest regardless. I skipped over a lot of it since it was, for the most part, pretty forgettable. This review only covers from the first episode to episode 135. Episodes 136 to 220 are a bunch of nonsense that ends with a remixed version of episode 135.

We should be thankful, however, because it could have been worse. Whether this was planned or not, I don’t know, but the filler came in at just the right spot with just the right twist to make it negligible. Dragonball Z also faced the same problem by catching up to its manga but not only did they employ filler (that thankfully wasn’t as bad as Naruto’s) they purposely made an arc longer than it needed to be just because they needed more time to get more story out of the manga. For those of you who’ve seen Dragonball Z, those 5 minutes on Planet Namek were the longest 5 minutes ever for a reason.

Ignoring the downhill catastrophe of filler episodes, for all the good stuff Naruto has brought to us in bountiful doses I can’t complain overall. The show was fun and entertaining with a good mix of action, suspense, and cool new ninja antics. Let’s hope Naruto Shippuuden, the sequel, is every bit as good and more in the vein of Dragonball to Dragonball Z.

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