Review: Ouran Koukou Host Club (TV)

Running time: 24 minutes
Number of episodes: 26
Vintage: 2006-04-04 to 2006-09-26
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Comedy, Drama, Romance, Shoujo, Slice of Life
Animation Production: BONES

Source: Anime News Network

Ouran Koukou Host Club is one peculiar shoujo to say the least. A fair warning should be said about this show though, which is, it’s a real shoujo. Hardly any aspect of this show can overlap with any other tastes, so unless you’re prepared to be wrapped in male eye candy with some comedy romance drama, you should rethink your decision to watch this show.

Now with that out of the way, Ouran Koukou Host Club tells the story of a first year student named Fujioka Haruhi at the Ouran Academy for the rich and the elite. This student is quiet and very reserved, in part because this person does not have any affluent characteristics at all. As such, this student is known as the special scholarship student that got into this super-rich school entirely on academic strengths and no other merits.

On a regular day in high school, the student in question tries to find a quiet place to study and strolls into a music room that doesn’t seem to be in use. Much to this student’s surprise, the music room hides the presence of a peculiar group of people — the Ouran Koukou Host Club. These people did not quite expect to see Haruhi walk into their lair so nonchalantly. Just like every good story, Haruhi ends up in a bind and is “trapped” (yes, I meant it) in the world of the Ouran Koukou Host Club to pay off a debt of several million yen for a tiny accident in the music room.

Because Haruhi can’t even afford the school uniform’s exuberant price, the little accident in the music room is no joke. The payment for the trouble caused ends up being Haruhi’s torment of having to form part of the Ouran Koukou Host Club. Haruhi’s duties start out as lowly errands, but soon “he”… or should I say “she”… becomes a real host. I’ll let you find out about this legendary trap’s real story on your own.

The Host Club is simply a group of guys that for an hour or two a day, dedicate their after school time to entertaining women with their innermost desires. They’re also some of the most powerful sons of the super rich socioeconomic world, and as such they are both rich and handsome. They speak directly to the hearts of women with soft and enchanting words. They whisper delicately into their ears and wash away their qualms and take them away to their dreamlands. In other words, the Host Club is a club these guys made for women to come by, drink tea, and marvel at them. Add a ton of “moe” fetishes that they play out to further reach these young maiden’s hearts -and- pockets, and you have the Host Club. Give or take a few details of course, that you’ll have to find out on your own if you’re interested.

The Host Club itself is fairly complete, although, once again, it’s not necessary to “get” all the little details. What I’m referring to is the nuances of shoujo and female oriented manga that tends to go to “other” extremes you wouldn’t understand if you’re used to shounen stuff. I’m not going to try to sound like an expert, because I’m far from one, but if you know the difference between an uke and a seme, you’ll probably find this show more refreshing than most from your “usual” material.

Even if you’re not into the homoerotic gags early on, the show will stem away from most of that later and can be tolerable for those of us that don’t really like that kind of stuff. In the end, I stuck with the show because it was incredibly funny almost consistently. There’s tons of comedy acts and the mix of characters seem to pull it off well. They break the 4th wall from time to time by making fun of us commoners a lot. Rich school anime is never complete without pauper life being subject to ridicule for the littlest of things, and it’s pretty good throughout. There’s also some banana slips… maybe a little too many banana slips!

The show makes fun of, but also makes use of a lot of moe fetishes too. It’s good that you don’t have to be into the moe to enjoy the scenes, since after some long winded explanation, some other character will break the ice and bring the show back to its goofy self.

The ending is quite nice, although it’s of the fairly generic -yet- expected happy kind. If you’re feeling experimental, or just want to get to know the cutest reverse trap in the history of anime, I wholeheartedly recommend Ouran Koukou Host Club. It can’t get much more shoujo and funny than this. The few heartwarming scenes can’t be ignored either, especially in the presence of one fine trap!

Review: Ookiku Furikabutte (TV)

Running time: 25 minutes
Number of episodes: 25
Vintage: 2007-01-11
Age rating: ???
Genres: Comedy, Drama, Slice of Life, Sports
Animation Production: A-1 Pictures Inc.

Source: Anime News Network

I’ll be honest for a moment and say that there have been times when I really wished I was born in a different place, a different time, and as a completely different person with a different nationality. The moment after I finished Ookiku Furikabutte was one such time, even if it was for a short while.

Ookiku Furikabutte is a baseball anime that shows how a group of boys spend their summer months preparing for baseball matches against equally hardworking teams across their prefecture. Every single one of them is tough, and every single one of them is determined to reach their ultimate goal — the Koshien.

Unlike many parts of the world, in Japan the Koshien is the single greatest sporting event of the year. Everywhere else, such as in the US, all the big dollars will go towards pro players making millions of dollars in baseball, amongst many other big budget sports. However, in Japan, the Koshien is open only to high school students. These are guys that spend their hard earned summer vacation in crazy concentration camp-like training grounds where they perfect their game, bond as a team and as friends, and ultimately better their chances to reach the promised battleground known as the Koshien.

When I think about how hard it is, and yet how awesome it is to be able to be seen on TV and rooted by everyone, I have to wonder what’s the big deal about pro sports. Sure, it’s difficult to become a pro player, make the big bucks, and win half the time, but there’s even more difficulty to reach the Koshien. You only have 3 years of your life to make it. You either make it as a Freshman, a Sophomore, or a Senior. Then it’s over. Sure you can keep playing ball and make it to a pro team and be admired by lots of people, but you won’t ever play at the Koshien. That’s what makes it so special in my opinion, and that’s what made me wish I had such an opportunity to spend a part of my life on. The way the show drew me in with how every character fought with high levels of determination, I felt as if I needed to be there. I needed to not cheer them on, but be on the field, keen on my position and supporting the team from within.

Ookiku Furikabutte’s main character is Mihashi Ren, a highly timid freshman that was his middle school baseball team’s star pitcher. He was able to take the ace number he wanted so badly through connections, since his grandfather manages the team. The players resented him, and although he was hardworking, he felt as if his selfish ways let his team down.

Now Mihashi is going to his first year of high school at a new school. He convinced himself he’d only watch the baseball club, and not join them, as he approached their field. As you might have guessed, he unwillingly got put up to try out for the team since the coach was having trouble getting a full team put together. The coach ended up being a very peculiar girl named Momoe Maria. She’s a very docile and caring woman half the time, but can turn into a scary and violent tough-girl when she wants to. When asked, Mihashi stated his name and his position, and surprisingly Mihashi seemed to be the only pitcher present. The only catcher, Abe Takaya put Mihashi to the test and he observed that Mihashi had an incredible amount of skill in his pitching. Although his pitches were slow, they were accurate, almost too accurate. Not only that, his “fastball” had an alarming backspin that not even Mihashi seemed to be aware of.

Mihashi eventually takes the ace number for his new team and tries to make up for the past, depending solely on his skills and hard work. As he learns to cope with his new team members and their aspirations, Mihashi takes it upon himself to battle his emotions on the inside and the game of baseball on the outside. Unfortunately, Mihashi is a first-class crybaby, and you’ll have to cringe at him crying at every little thing that happens. He worries a lot and is constantly aware of making mistakes. Sometimes it’s funny, sometimes it’s plain stupid, but it will always reflect who Mihashi really is — a hardworking individual. As a result, Mihashi’s personality can be a bit annoying at times, but thankfully Abe takes care of him for us. Even so, Mihashi will win you over from time to time on the field. Fortunately, everyone else on the team is fairly normal.

The baseball team eventually molds together little by little and they finally enter the summer competition. An entire team composed of freshman students coached by a girl is extremely rare, and everyone else underestimates Nishiura, Mihashi’s high school baseball team. You’ll need to watch it yourself to see how it all unfolds.

The end of Ookiku Furikabutte is incredible to say the least, and as a result it is the best baseball animation I have ever had the chance to enjoy so far. I loved the first season of Major, but this show is a lot more condensed and fair. The main story is much more compact, and therefore the details stand out more. Although the show ends abruptly without going as far as I and most likely others would like, the point where it stops is very symbolic. You can almost “finish” the show yourself with the pieces left behind at the end. You’ll soon find out Mihashi and his friends have what it takes to survive and that they’re “just starting.”

Review: Tengen Toppa Gurren Lagann (TV)

Running time: 25 minutes
Number of episodes: 27
Vintage: 2007-04-01 to 2007-09-30
Age rating: ???
Genres: Adventure, Comedy, Drama, Mecha, Science Fiction, Slice of Life
Animation Production: GAINAX
Production: Aniplex, GAINAX, Konami
Director: Hiroyuki Imaishi (God)
Planning: Hiroyuki Yamaga

Source: Anime News Network

The burning passion — Tengen Toppa Gurren Lagann. I really did not expect to be able to enjoy another mecha show on this level so soon. GAINAX knows their stuff, but Eureka SeveN proved that there’s other studios that can do mecha right. However, this one’s special guys — the kind of anime that transcends past all expectations and stays on your favorites list forever. Gurren Lagann is currently the epitome of epic mecha giant robot action shows. Not a single part of me doubts what I’ve just said. It’s the burning passion of hot-blooded action, it’s Tengen Toppa Gurren Lagann!!

The show starts off introducing you to Simon and Kamina, two really distinct guys that live in an underground village. They’re not real siblings, but they’re close enough to refer to each other as siblings anyway. Kamina is the older tough-guy and loud-mouth that always gets off on excitement and adventure. Simon, on the other hand, is a very timid child typical of GAINAX anime. You could say he’s a dirty Shinji, if you will, for those of you that have watched Neon Genesis Evangelion, since he likes to dig the ground and find stuff.

Kamina and Simon’s village is forced to stay underground because of some strange fear for what’s on the surface of the Earth. Kamina, being the way he is, makes it clear that he will pierce the enclosure of the ground above and live to see the surface. His father supposedly once left to the surface and Kamina feels it’s his calling to do the same. Simon kind of just tags along, even though he doesn’t quite have the drive to make it to the top — yet.

If you’re still reading you might want to know why the hell am I calling this the epitome of mecha anime, when I haven’t even mentioned them yet. Well, I’m getting there, and much like the show, it won’t kick off for bit. One day as life remains the same underground, a giant mecha, called ‘Ganmen’ falls from above, just like that. Soon after a very foxy girl, who seems to be have been fighting the Ganmen that just came crashing down, falls into the underground village too. Kamina doesn’t let up and immediately lets his fiery personality take over and he begins to interfere acting as if he’s actually helping. Kamina even declares his participation as part of the “Gurren Brigade,” which at the time is composed of just him and Simon. A lot of comical moments ensue, and it leads the pretty girl, Kamina, and Simon to a spot where Simon had been digging earlier and found something strange. To everyone’s surprise it seems Simon found a small mecha buried in the ground and Kamina puts Simon in the spotlight when he tells him to pilot it since -he- found it. Kamina, being the smack talker he is promptly and aptly gives the little Ganmen they found a name — Lagann. You’ll have to find out about the ‘Gurren’ part on your own.

The fight that follows is sensational and at times downright silly. However, pay attention to Kamina’s words because he hints at what the show is going to be about. With shouts of only needing your spirit and guts to succeed in ass kicking, you know something just has to happen for this to make sense. Kamina and his essence, character, and personality is the backbone of the show; the very mold of the Gurren Lagann experience and the ultimate reward for sticking with the show.

Right then and there, the legend is born and the gang in Gurren Lagann begin their incredible adventure towards the top. When I say the top, I mean it, because the sense of scale in Gurren Lagann is ridiculous. I would love to come up with a better way to describe the way the show will rock your world, but it’s better experienced. Also, understanding the pacing in Gurren Lagann is crucial to enjoying the show. The slow start is just the calm before the storm begins. Keep going, because by the end of the third episode you will know that the show is special and if you stick with it you’ll be rewarded with many, many, many great moments of WOW.

It’s about time GAINAX made a full length mecha anime series of this type that isn’t Neon Genesis Evangelion. Top wo Nerae! Gunbuster, Top wo Nerae 2! Diebuster, and FLCL are all classics and each one added to the genre and GAINAX’s stronghold in mecha anime. However, Tengen Toppa Gurren Lagann mixes a little bit from every great GAINAX mecha and with a solid focus it is able to – literally, as the name implies – break-through the seemingly perfect mold the studio founded in its long history of anime production in the mecha genre.

The show is easily described as the burning passion, a man’s fiery spirit that burns with every waking moment of his step. With the brothers and the brigade of ass kicking, Gurren Lagann, has no equal. A drill in an abstract sense is the fitting image of this sensation. The upwards spiral towards the concentrated single point. All the energy, all the thoughts, power, emotion, and feelings are all in that single point. Put aside logic, put aside reason, this is manly instincts infused with 100% determination and 0% chance of failure. Probabilities of success? MEANINGLESS. They CONTROL probability. They win. That’s it. It’s always do or die. If they miss, they shoot in every direction, then they can’t miss. Never falter, not even an inch. This is Gurren Lagann. Determination by proxy. Believe in me who believes in you. True determination. Not you believing in me, not me believing in you, but you believing in yourself. This show will say to you, who THE HELL DO YOU THINK I AM?!?

This is man versus beast! Or is it beast versus man? Or is it man-beast versus man! Or worse, BEAST VS BEAST!! The beast within the man, that is. Join the brigade where true men’s spirits live. Be a part of history. Watch this anime. Introductions. It’s all about your introduction. Hot-blooded speeches. Defeat your enemy before you lift a single finger by the power of your words. Enchant your populace, envigor your peers. You have the power to destroy -yet- also to create. Create hope in the hearts of men. Change despair into strength. Strength into spirit. Spirit into victory. Victory into ultimate victory. There is no limit for those with the spiral, the drill, the point of concentrated force that tears through the very fabric of time and space and bores through any and all obstacles. It’s within each and every one of us. It’s in our DNA. We are all potential energy waiting to be moved by the heart and soul of manly speeches. ROW ROW, FIGHT THE POWER!!

This is the burning passion in you, in me, in all of us. You’ll want your kids to see this. It’s that good.

Review: Zettai Shonen (TV)

Running time: 25 minutes
Number of episodes: 26
Vintage: 2005-05-21 to 2005-11-19
Age rating: ???
Genres: Drama, Mystery, Science Fiction, Slice of Life
Animation Production: Asia-Do
Production: Bandai Visual, GENCO, Zettai Shonen Project

Source: Anime News Network

Slice of life can be a very interesting genre when it’s presented well and wrapped around a scenario that augments the best traits of the genre. Some may agree that it’s easily described as storytelling fragments inspired by every day life that form the lives of the characters in any given story. These typical encounters allow for some reasonable balance between fiction and what could be a plausible event in the day of any typical person under certain circumstances. This ties in with Zettai Shonen which heavily bases much of its emphasis and focus on delivering an engrossing slice of life style that steps beyond the bounds in many directions. As a result it ends up portraying a striking blend of supernatural mystery and unexplainable things with the routine events of the lives of regular people.

The story in Zettai Shonen starts off with Aizawa Ayumu, a son of a divorced couple that is offered a mountain bike so that he can stay with his father who lives in a rural town called Tana. Ayumu takes the offer and expects to make use of the bike until he’s satisfied. There must be some differences that have pushed his parents apart but Ayumu doesn’t seem to be phased by it. Ayumu also isn’t entirely new to the town since he used to live there many years ago. As could almost be guessed, Ayumu somehow doesn’t remember key details of his stay in the town that soon become the gateway to a very rich mystery. This is where most of the mystery of the town and the elements within it start to revolve around the story in Zettai Shonen.

The town is not quite all that eventful except for the peculiar yet reasonable actions of its inhabitants. The kids in the town have their own agendas and reasons to skirmish around and because of the small size of the town they usually end up bumping into each other regardless of their intent. Some characters are just strange while others seem to know a lot more than they should about the weird things in the town. Included in the mix are characters from outside of the town adding a bit of complexity to the overall mindset of the individuals involved in the story.

The story carries on until there is a small build up that concludes the arc in the rural town where Ayumu stays for the summer. The second half of the story transfers the setting to the city and new characters and a new viewpoint is presented. It’s not quite entirely different from the experience of the first arc, but it does have its own mood and personalities because of the immediate change of characters and a new mystery.

The mystery that unfolds as the story goes by isn’t exactly Earth-shatteringly complex, but it is deep enough that the deeper you go in the layers of its obscurity you will begin to understand things in sync with the other characters as the story unveils. Zettai Shonen’s mystery is much less about the mystery and it’s eventual solution -or lack thereof- but the passive discovery process it entails. The unknown powers at be do not seem dangerous to any of the characters, so there really isn’t any kind of fear or urgency to retaliate at the mere existence of the creatures.

Putting it simply, the show is a mostly a flat line experience with minor buildups towards some of the darker parts of the story revealing some much needed details. I’d compare it to a very slow bass-line only song that throws in the strings only when it needs to and keeps the frequencies low as possible. This makes it a passive experience with a mood that will either interest you or push you away. The strength of the show lies in keeping that balance and plowing through the slice of life and how the things happening in the places where these characters live adversely affect the regular lives of everyone involved.

Review: Initial D: First Stage (TV)

Running time: 25 minutes
Number of episodes: 26
Vintage: 1998-04-18 to 1998-11-28
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Adventure, Comedy, Drama, Romance, Shounen, Slice of Life, Sports (Auto Racing)
Animation Production: Studio Gallop

Source: Anime News Network

I’ll be honest right from the outset. Initial D is praised by a lot of people for being a very good anime. That is far from the truth when you consider the major shortcomings that plague Initial D’s storyline. However, even with the terrible story Initial D is the anime that made cars and drifting cool.

The animation in Initial D is mostly cheap 3D car renders that don’t look that great, even for the time when the show first aired. The character designs are terrible, especially what are supposed to be women, which look ugly as hell. The “slice of life” in between the main attraction, the racing, is stale and forgettable. There’s some things to learn about the characters, but it’s all just fluff and not necessarily all that meaningful.

So if Initial D is so terrible why do so many people like it? Well, even though it does a lot of things very poorly it does one thing so well that you tend forgive the shortcomings of everything else while expecting to see some of the best drift racing anime can offer.

Initial D is all about car racing. Not only that, Initial D’s races have an effect on people, whether you’re a car buff or not. There’s a lot of cool stuff happening while the cars are being driven, but of course the animators make it all look so simple. Using heel-toe and clutch throws, changing gears at the precise moment, and steering and counter–steering in and out of corners performing the best high-speed drifts can be really very fun to watch. It’s very much about the skill of the driver and not about how flashy the ricer looks. Drifting is a lot more than showing off a car take on a corner with style, it can truly allow for a fluid high-speed motion through a corner that a grip technique would not be able to catch up with, especially on a downhill race.

In addition to all of the over-the-top drift action, Initial D has yet another layer of immersion — the soundtrack. As stupid as it sounds, cars and the super crazy EUROBEAT genre are the ingredients for making one of the most exciting racing anime you’ll ever see. Even if you’re not into the genre of music, the way the action and the songs are choreographed together alongside the sound effects of skidding tires and roaring engines really gets your heart pumping. By the end of the show you will probably want to start a EUROBEAT collection for your own driving. It’s great concentration music for racing games too.

It’s amazing how this simple mix can produce so many goosebumps and make you restless at every corner. The commentary during the races helps a lot too since it’s always over-the-top and over exaggerated but it flows well and builds anticipation for the next feat. A race that is supposed to last a few minutes may drag on for two or three episodes, but you’re not bored as long as they keep throwing new music and build the tension.

So while the characters unnaturally speak to each other to explain technical details about a race in a way that makes them seem overly condescending, when they do it in the middle of a race with the formula in place for high tension, you’ll get pulled in no matter how corny it is.

When you’re done with Initial D, you’re done with the races pretty much. You won’t remember who or what really happened, heck you may not remember any character’s name, but you sure as hell will remember drifting and EUROBEAT. Initial D’s story is forgettable, but the racing is down right a classic. I wouldn’t be surprised if everyone who’s seen Initial D is suddenly a better driver too — or not.

“No one sleep in Tokyo,” “Tokyo is on fire!” “Running in the 90’s,” “Night of Fire,” are just a few of the lines you may get stuck in your head after watching this show. Even if it can be considered a very long music video, this anime delivers all kinds of exciting moments when at the top of its game.

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Review: Great Teacher Onizuka (TV)

Running time: 27 minutes
Number of episodes: 43
Vintage: 1999-06-30 to 2000-09-24
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Comedy, Drama, Romance, Shounen, Slice of Life
Production: Studio Pierrot, SPE Visual

Source: Anime News Network

Teaching can be a lot more work than just rattling on and causing a room full of 40 people to fall asleep, but only if you make it so. You don’t necessarily need to sugarcoat the description and portray it as a sacred profession, but there’s definitely many ways of interpreting it. However, when you strip away all of the fancy words, it’s still a nine to five job (or rather seven to four) with the added benefit of long paid vacations.

Great Teacher Onizuka is the very manifestation of a special kind of teacher, one that understands the passion in a different way and believes in bonds with the students exemplifying the teacher-student boundaries of respect and mutual need. It’s less about the separation between figures such as a master and his pupils, but instead the relationship between person to person in a given classroom. The classroom is a unit, the teacher is a unit, and together they are yet another unit. There’s certain unwritten rules that keep the two together but also keep them apart. Onizuka basically takes everything that’s important about “street smarts” and puts it in the classroom. The classroom flourishes thanks to his interpretation of what it is to be a teacher that goes beyond a perfect cookie-cutter role model and more like a simple-minded human being susceptible to mistakes just like any other person is.

The first episode is very good at putting you right into the action, which is strange when you consider this is supposed to be about a school teacher. The first few scenes summarize the main character, Onizuka Eikichi, in two very different acts. First one shows his abhorrent perversion for high school girls, as seen when he’s looking up a few girls’ skirts and the other is his badass strength and violent character when he kicks the shit out of two guys that tried to rob him. Then it just hits you, this very person you see doing these lewd and cruel acts is aiming to become the greatest teacher in Japan.

Skipping over the nonsense, you learn right away that Onizuka is finally a student-teacher filling in a temporary position at a private school. He’s assigned a problematic classroom that is full of “low lives,” that make it difficult to teach. Onizuka’s first attempt at taming the class backfired because he’s split between his duty and responsibility as a teacher and his inner rage wanting to kick some disobedient student ass. The classroom turns on him when a group of students and a seemingly innocent high school girl frame him into doing something a teacher should never do. Onizuka just loses his temper and makes their nightmares come true using his background as a gangster. As miraculously as it seems, the students that were once riled up and disobedient became docile and hardworking, contrary to what Onizuka thought would happen.

A special case develops involving the girl that was part of the original set up to force Onizuka to quit his job. Onizuka learns of what’s been bothering her at home and he uses what he knows best to solve the problem. At the end of the short period Onizuka spends at the school as a student-teacher he befriends the most problematic classroom that sees him off in tears, and the girl that he helped offers something special to Onizuka which he correctly describes as “Great!’

The real deal starts after the introductory episode, because as easy as it was for Onizuka to tame a classroom full of dimwit punks and wannabe gangsters, Onizuka faces yet another problematic classroom that has caused all kinds of traumatic experiences for every teacher that has attempted to teach there. The striking difference is that class 3-4 is full of genius scheming middle school students.

You don’t really expect a teacher that can bench-press 150Kg (330lb) to be all that great at teaching social studies, much less able to outwit a classroom full of really smart kids that can do a lot of harm. It may have worked the first time because he fought fire with fire, but now he’s faced with a silent enemy. However, in Onizuka’s crazy and roundabout way he makes them little by little into his friends. The rest of the characters get taken in by Onizuka’s pace and it’ll soon turn into less of a war against the teacher and more about “what stupid shit is Onizuka gonna do today?” As the show progresses characters will change and new characters will be added in to tally up a considerable roster of main characters. It can feel a little predictable as characters “turn over to the dark side,” but there’s always a twist involved that fluffs the experience and makes it worthwhile.

To be honest the show’s main plot isn’t that magnificent but there is a lot to appreciate. Most story bits will reset themselves after being told, making the show less gritty and much more laid back. The way the show is designed I don’t really see it as a bad thing since there’s not much to dwell on once it’s fixed. Basically this means that every episode is self-contained and what may have been the focus point of one episode doesn’t necessarily carry on in the next episode. Some of the situations that are put together are pretty good, others are much less believable, and others are just way out there, but in general the story delivers. GTO is remembered by most of its fans as a very good experience and it certainly was good for its time. I’d honestly say it has legs making it worthwhile to watch by those who missed out.

On the down side, the end of the show happens too quickly and doesn’t really reach any kind of conclusion, thus breaking the overall experience. The anime is supposed to have covered up to volume 14 of the manga, with its own added twists and variations to separate it from the source material. Although GTO is a great show to watch, the end is so lacking that anyone that is truly enamored with the characters and wants a real ending would need to continue reading the manga from volume 15 onwards. Conversely, you might consider starting over from the beginning of the manga and re-digest it all. For some this is fine, but I’m a firm believer in a solid ending for an anime and GTO unfortunately does not have one.

As always with the big successes, even with the rushed ending GTO was popular at the time it came out for many good reasons that I am still able to pick up on and enjoy. There’s very good reasons to be a GTO fan indeed. It’s not going to change your views on teachers or education as a whole, but it’s offbeat enough to carry you through a good deal of crazy school drama coupled with some laughs and smiles all the way through.

Props go to all my previous and future teachers and professors; a few of you did and still do care about more than one’s classroom performance.

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Ending:

Review: Naruto (TV)

Running time: 23 minutes
Number of episodes: 220
Vintage: 2002-10-03 to 2007-02-08 (Japanese)
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Adventure, Comedy, Drama, Shounen
Animation Production: Studio Pierrot
Broadcaster: TV Tokyo
Music Production: Aniplex, SME Visual Works
Production: Studio Pierrot, TV Tokyo

Source: Anime News Network

For most anime fans out there the shounen genre is probably one of the most enjoyable aspects of anime that they can associate with. Many of us grew up with some kind of highly successful and grossly commercialized anime that we just couldn’t get enough of. There was the Dragonball series, Hunter X Hunter, Rurouni Kenshin and many others, but now there’s Naruto.

Naruto, brought to life by Masashi Kishimoto, assimilates all that is good about its largest inspiration, the Dragonball series, and takes it to a new level. Like all good things, it builds upon its main inspiration while injecting its own flavor. Take everything you know about ninjas and throw it away because Naruto changes ninjas forever. From design to application, Naruto is a full-on recreation of ninjas and really pulls it off with its own style and flavor.

The story, for the two of you who don’t watch Naruto — shame on you, is incidentally about a young boy named Naruto. He lives in Konoha Village, a ninja village that forms part of the five great ninja villages. In the world of Naruto peace is upheld by the five great nations with their military power that is manifested in the form of ninjas and consequently their ninja villages that train them. Naruto is scorned by others in the village for reasons unknown to him so most of his childhood was rough. He doesn’t let it get him down, however, because his personality is more explosive and energetic than anyone else’s. He’s determined to become a real ninja and protect the village of Konoha some day, thus becoming acknowledged by the village and be allowed to hold the position of the village’s Hokage. A Hokage is the leader of the village upheld for his strength, wisdom, and protection that he or she must bestow upon the people of Konoha. Naruto dreams to take that very spot in order to fill the void in his heart and to give back to the village even after his wretched experience as a young orphan child.

Of course, things aren’t that easy and you’ll quickly be taken through a wild ride where many other characters have their own objectives and motives to do better and become stronger. Joining Naruto early on are Sasuke and Sakura, two other ninja candidates that form part of Naruto’s team in the academy. Sakura is a lively girl with a crush on Sasuke while Sasuke is the number one student with more than a conceited genius. While rivaling Naruto, Sasuke hides a dark past that becomes more evident in later episodes.

Naruto may be the main character, but there’s a large amount of characters in the story that makes everything much more interesting. The diversity of characters goes beyond different faces and sizes thanks to the divisions of power and strength in the show which are essential to the drama. All the ninja are divided in classes, and starting from the bottom are the kids in the academy. Graduating from there will make them a Genin which is the rank Naruto, Sakura, Sasuke, and others, attain early on in the story. Beyond that is the Chuunin, Jounin, ANBU (comprised of both Chuunin and Jounin ninjas), and the Hokage. It can get even more complex when you consider the divisions of power outside of the village.

Aiding the story is Naruto’s soundtrack which is a crucial piece of the experience and really helps immerse viewers into the show. The upbeat remixed Japanese music sticks in your head and fits the theme of the anime perfectly. Every character’s individual theme is memorable and communicates who they are. The music helps transcend beyond words and delivers meaningful aural information about the personality of the characters. In addition, the high points in the story really shine when every major fight or event is scored by a truly complementing melody or riff that will keep your blood boiling.

Naruto’s first arc is a little slow but it does well to teach the nuances of ninjutsu, taijutsu, and genjutsu — the three basic ninja techniques. The highs and lows of the action are all excellent and give way to a good array of episodes. The show becomes increasingly dark and convoluted as the characters become stronger and attain more skills. From individual skills to ninja military tactics, there’s a certain level of intelligence that really pleases the mind when you’re sailing through watching it. At times it will get a bit too sensational with little return, but when it’s good, it’s really good. If you’re not quite sure why people watch Naruto I would point you towards Naruto’s second arc. It’s one of my favorites and it really pulls off what the show is all about.

Naruto isn’t without major faults, as any self-respecting person who enjoyed the show would have to admit to. Naruto was plagued with the very disease that a lot of shounen anime face at some point in their lifetime — catching up to the manga. Once Naruto caught up its source material, Studio Perriot was faced with very few choices. They could have stopped airing Naruto, but that would of slowed down the momentum the show had and could have destroyed the marketability of the show later on. So instead we endured the pain and suffering of the studio diverging from the main story and inserting “filler” that is irrelevant to the greater story by mangaka Matashi Kishimoto. To be honest not all of the filler is terrible, a few episodes were good enough to watch, but a year of filler is hard to digest regardless. I skipped over a lot of it since it was, for the most part, pretty forgettable. This review only covers from the first episode to episode 135. Episodes 136 to 220 are a bunch of nonsense that ends with a remixed version of episode 135.

We should be thankful, however, because it could have been worse. Whether this was planned or not, I don’t know, but the filler came in at just the right spot with just the right twist to make it negligible. Dragonball Z also faced the same problem by catching up to its manga but not only did they employ filler (that thankfully wasn’t as bad as Naruto’s) they purposely made an arc longer than it needed to be just because they needed more time to get more story out of the manga. For those of you who’ve seen Dragonball Z, those 5 minutes on Planet Namek were the longest 5 minutes ever for a reason.

Ignoring the downhill catastrophe of filler episodes, for all the good stuff Naruto has brought to us in bountiful doses I can’t complain overall. The show was fun and entertaining with a good mix of action, suspense, and cool new ninja antics. Let’s hope Naruto Shippuuden, the sequel, is every bit as good and more in the vein of Dragonball to Dragonball Z.

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Review: Eureka SeveN (TV)

Running time: 25 minutes
Number of episodes: 50
Vintage: 2005-04-17 to 2006-04-02
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Adventure, Drama, Mecha, Romance, Science Fiction, Shounen
Animation Production: BONES
Production: Bandai Entertainment, MBS, Project Eureka

Source: Anime News Network

“Don’t ask for it; go win it on your own. Do that and you’ll succeed.” Truer words were never spoken by characters in this anime that reflect the real reception that Eureka SeveN has garnered. As many of you know, Neon Genesis Evangelion has become a staple in mecha anime and is largely acclaimed for its influence and success in the anime industry. Eureka SeveN, on the other hand, may be one the more recent mecha anime to cultivate and evolve beyond the Evangelion formula allowing it to present us a very special blend of mecha storytelling.

The story begins when the main character, Renton Thurston, a 14 year old kid, is stuck in a fairly boring and crappy town. His father was a hero that conducted advanced scientific research but he died in a strange event that changed the world. Consequently, his sister went on a journey because of what happened to their father and Renton hasn’t seen her since. Thus, for a very long time Renton has been stuck in Bellforest with his grandfather, Axel Thurston, who’s a top notch mechanic. Renton spends his time trying to learn to ride trapar waves with his ref board, a sport that became popular due to the changes the world endured after what Renton’s father helped create. He also idolizes Holland, a so-called genius at ref boarding who’s also in charge of ‘Gekko State,’ a rebel group that is against the military. Renton and the rest of fans get their information by reading, Ray=Out, a magazine that anonymously publishes the things that Holland and his ‘Gekko State’ accomplish.

Soon enough circumstances will take Renton out of Bellforest and onto a journey that will not only change his life but the rest of the world too. One day he meets a very special girl named Eureka who’s a member of Gekko State. As the story unfolds Eureka and Renton will grow and become entangled in a series of events that lead to the very end where their choices are what will make or break the very existence of humanity. Eureka and Renton eventually develop a mutual need for each other and that goes beyond any responsibility to the rest of the world. They bond on many levels emotionally and try their hardest to close the gap that keeps them apart in an effort to fulfill not only their desires, but the desires of the entire planet.

The comparison to Evangelion isn’t necessarily a comparison on a structural level of its narrative, but rather the breath and scope of the storytelling. Eureka SeveN actually leaves behind the mecha to a secondary position and focuses more on the characters in a way that’s easy to understand. The mecha are only a means to an end, but the people are the reason behind that end. There’s plenty of abstract scenes with confusing interpretations, but unlike Evangelion you can understand what’s going on without getting a headache. At its core it’s still about kids finding their way into the cockpit of a giant mecha, but the way the rest is told and constructed is refreshingly different and simpler in comparison to Evangelion.

Eureka SeveN is riddled with all kinds of inspiration from sea life and part of that makes the show special. Rather than mush together a bunch of similes, the inspiration goes a step further and integrates into the overall presentation and story. Trapar waves, ref boarding, sky fish, and more. These things may be foreign to you, but once you watch the show and understand their meaning you’ll soon understand that Eureka SeveN mimics a vast ocean in the air and goes even further in the second half of the story.

The length of an anime can really hurt it if there is not a balance between the episodes and the amount of plot. Thankfully, Eureka SeveN is not too long and not too short either. The first season takes a plot device and expands it until an end is reached, or rather, a change that begins the next season which expands even further and develops a new angle from which to view and understand Eureka SeveN. This means the characters will change and grow on the show revealing more about themselves and tearing apart the veil of mystery in the beginning all the way until the loose but effective end.

The end of Eureka SeveN is subtle but complete in its own way. Hopefully there’s something in the works to flesh out the ending, but what was used is effective. In contrast to Evangelion, the end will not make your head hurt since it’s a little more explicit about what is going on and how the characters feel. However, there’s no denying that for those of us that enjoyed Eureka SeveN until the end it would of been nice to have the show leave a bigger footprint in history rather than take it a little safe. Whether there’s an OAV, a movie, or even a sequel planned to expand the story, a fairly complete narrative was paved on a path towards a pleasant conclusion.

If there is an anime that can be compared on equal footing to Evangelion this is it. It’s longer and may drag on a few times, but in the end it can stand almost as empowering and compelling as Evangelion.

Review: Koi Kaze (TV)

Running time: 23 minutes
Number of episodes: 13
Vintage: 2004-04-01 to 2004-06-17
Age rating: Mature (May contain sex, drugs, and extreme graphic violence)
Genres: Drama, Psychological, Romance, Slice of Life
Animation Production: A.C.G.T.
Broadcaster: KIDS STATION, TV Asahi
Music Production: Lantis
Production: Geneon Entertainment (USA) Inc., Geneon Entertainment, Inc., Rondo Robe, TV Asahi

Source: Anime News Network

Koi Kaze takes a journey into the mindset of two people very much in love but torn by the exterior pressures that they must face if their love should ever be the way they wish it to be. Before even trying to lay out the storyline, it’s important to warn you what you’re up against. Koi Kaze tells a gritty tale of two siblings who fall in love without knowing they were siblings when they meet several years after separating. They are then are smitten by the crime of forbidden love and work hard to suppress these feelings they have while trying to live a normal life together. I don’t necessarily condone incest in real life, but after witnessing the way things unfold in Koi Kaze as a fiction story, you can’t help but blind yourself to certain parts of this equation because of how true and meaningful the feelings these two people have towards each other are.

The main characters are Saeki Koushiro and Kohinata Nanoka. Koushiro is a 27 year old man that lives his life as a regular salaryman. He has never once in his life been truly affectionate about something or someone which has lead to his current slump. His girlfriend breaks up with him because she doesn’t feel like Koushiro really has feelings for her. Koushiro isn’t surprised by her actions because he himself doubts what he truly feels about her and lets her go easily.

One day on his way to work, Koushiro notices a cute 15 year old high school girl named Nanoka on the same train with him. The girl suddenly gets off the train once it reached a stop, but in the middle of pushing her way out she drops her I.D. card. Koushiro quickly fumbles through the chaos, picks it up, and gets off the train so that he can give it back. He calls out to her and she turns around to face him. In the midst of their confrontation sakura leaves blow right past them and in the few seconds it lasts they are in a profound sudden rush of emotion. They part ways with a smile once the good deed was done. As fate would have it, they meet again the next day when the same girl is passing by Koushro’s workplace by coincidence just as he’s about to leave. Koushiro received some tickets to an amusement park and he decides to give them to Nanoka. Nanoka happens to need to kill some time while waiting for someone so she decides to go with Koushiro. Thus, they end up taking a quick innocent date at the park. While they spend time at the park they slowly open up to each other and say the things that have been bothering them in their lives to cool off. The quality of the voice acting and the detail in the music helps transmit the emergent sensations that these two people feel and how they connect while being together at the park.

When the day is finally over and they are about to part their separate ways, a much older man yells at them from a distance. This man happens to be their father, Saeki Zensou. He’s happy that they are together and jokes around since he’s convinced they knew they were siblings and that’s how they ended up together. Obviously, Koushiro and Nanoka are really surprised by this and the path down a bumpy road begins from here.

Rather than focus only on the pure emotions these characters feel, the show instead takes a more direct path down the reality of two people in love. It’s not always about how they felt when they first met, or the beautiful things they may say, but the gritty truth that they just can’t be apart. In real life the layers of desire, emotion, and temptation all unfold in humanly ways, thus real life is not beautifully scripted like in a sugar coated fiction love story. In those stories characters say what they mean with certain levels of eloquence and confidence while also doing the right things that trigger the beauty of their profuse love; this doesn’t happen in Koi Kaze for the most part and instead we get to see a more rough yet truer transmission of feelings and emotion. The fact that people make mistakes and let their emotions get the best of them is not an understatement and it is well presented here.

While the show is very powerful and delivers an emotional drive of taboo love, once it ends it’s a little less explicit. I must say the end of Koi Kaze employs a level subtlety that’s very effective but may require re-watching to fully understand it. It won’t change your views on the subject matter at hand, but once you pick up on the details you’ll be able to piece it together and create your own conclusion. I really enjoyed Koi Kaze despite the shortcomings of assimilating a scenario of blood related siblings falling in love. The music and the voice acting helped elevate the delivery of quality on the whole package. If you can swallow the premise and accept the consequences, you will most likely enjoy Koi Kaze.

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Review: Bokura ga Ita (TV)

Running time: 26 minutes
Number of episodes: 26
Vintage: 2006-07-03
Age rating: ???
Genres: Comedy, Drama, Romance, Shoujo, Slice of Life
Animation Production: Artland
Production: Marvelous Entertainment, Pony Canyon, Shogakukan Productions Co., Ltd.

Source: Anime News Network

For those of us that don’t really care we’ll get swept into the pace of any particularly good anime regardless of what type of audience it’s intended for. Bokura ga Ita, being an excellent shoujo anime, is a good example of this. The heartwarming love between a regular girl and a regular guy in high school can be as effective on guys as it is on girls. For this reason Bokura ga Ita becomes one of the better shoujo anime I’ve been able to like from start to finish.

One of the first things I need to mention about Bokura ga Ita is its animation, which frankly, is a disaster. The reason is simply because it hardly animates. In addition to that the art has a striking style that has that “love it or hate it” vibe. As the scenes unfold in video form, much of the intentions of the pages in the manga are retained. In other words, when you’re watching Bokura ga Ita it’s almost like flipping through volumes of manga with voice-overs, sound effects, and music instead of reading. To be honest I don’t have a problem with this because it’s still effective at what it wants to do most, but many people take lack of animation seriously. It can be a barrier when trying to get sucked in the show, but if you can look past it there’s lots to be enjoyed.

The story starts off with Nanami Takahashi who one day begins her first year of high school. She’s hopeful of a good thorough experience even though she’s completely new and has no friends yet. She successfully mingles with a few people and learns that a really popular guy is in her class. The guy is Yano Motoharu, known for his striking personality and his handsome features which turn him into a chick magnet. Little did Takahashi know that she would meet Motoharu for the first time in the hallway and know exactly who he was without him ever telling her his name.

Typical as it may be, as time goes by Takahashi is involved in things that put her in direct proximity to Motoharu constantly. Her strange ways of thinking and pursuing things has her thinking and obsessing over Motoharu until there’s finally a path paved for them to walk across together. Rather than cling to each other like everyday companions, Motoharu and Takashi take things a little more seriously and truly devote themselves in heart and soul to reach happiness together. However, as in most shoujo anime, there’s lots of cracks on their path they’ll constantly trip over. Motoharu himself carries with him a burden of overwhelming proportions that completely changed his life. Although he’s perceived as calm, cool, and collected in most other peoples’ eyes, he’s actually surrounded by guilt and sorrow of an event long ago. This eventually reaches Takahashi who, being the way she is, ends up creating a turmoil of mixed feelings that hinder progress of a beautiful relationship. It’s one of those “love hurts” situations caused by uncontrollable circumstances that become like unbreakable thorns in their feelings. As much as you’ll agree with one side, the other side has an equally compelling argument that throws you off balance. I certainly applaud the story because sometimes you can’t help but feel torn between what’s right and what’s wrong.

Although the story revolves around Takahashi and Motoharu, there’s plenty to go around. There’s also Yamamoto Yuri, an old acquaintance from Motoharu’s middle school who is in Takahashi and Motoharu’s class. Then there’s Motoharu’s best friend since 6th grade, Masafumi Takeuchi, whom also takes part in the story. Typical things will happen with this mix of characters if you want to take a few guesses, but as a shoujo drama it is to be expected. However, it’s the way things unfold that counts and I have no complaints as far as originality and execution are concerned. The love between the characters is genuine, an attribute I consider very important. There’s no doubt that these characters are in love and their feelings are communicated in happiness and in suffering.

The end of Bokura ga Ita is satisfactory in my view, but there’s no doubt that there could have been much much more. The good news is that the manga ends almost exactly the same as the anime, and there’s more story coming since the manga is still being serialized. If the manga continues to be as engrossing as it has been continuing 3 years after the end of Bokura ga Ita, I’d love a new anime season with a more fleshed out end. Since Bokura ga Ita is such a popular shoujo manga among girls in japan, I’d be willing to bet on the certainty that there is demand and interest to continue the TV series in the future. For those of you on the fence still, it’s great! Go watch it!

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Review: Berserk (TV)

Running time: 24 minutes
Number of episodes: 25
Vintage: 1997-10-07 to 1998-03-31
Age rating: Mature (May contain sex, drugs, and extreme graphic violence)
Genres: Drama, Fantasy, Horror, Romance, Shounen, Supernatural
Animation: Oriental Light and Magic
Broadcaster: NTV
Production: Oriental Light and Magic, VAP

Source: Anime News Network

Berserk has a fitting name because it has some crazy characters that just dedicate themselves to killing men in battle. The first episode starts off with a bad-ass swordsman who wields a giant sword. Things get out of control and before you know it you’ll be watching him take out enemies with superb skill. Once you get to the second episode everything changes drastically and you’ll be introduced to this man’s past life and how he got to where he was in the first episode. The show continues telling the past story up until the very end where the big twist is fleshed out.

The swordsman in question is Guts, a badass by nature with the skill and trade of killing men with his sword. His life was burdened by hardships and chaos so he was forced into becoming stronger to survive. He makes a name for himself by defeating countless enemies on the battlefield regardless of the disadvantages he may face.

One day he finds himself in a dangerous situation when a group of men try to kill him and steal the money he had just received as payment for his services as a mercenary. Little did they know they would not be able to take him on. However, the group’s leader, Griffith, defends his men and ends up wounding Guts. He finds Guts’ fighting skill to be useful so he takes him into his custody. The group that Guts encountered is known across the kingdom has the Band of the Hawk. Griffith, leader of the Hawks, impressed by Guts’ talent in combat makes him join his mercenary army after a fierce one on one battle. Guts becomes a comrade and little by little eases his way into the trust of everyone in the group.

Within the Band of the Hawks the members learn to strive together in the hardships of battle. Every victory is pieced together by everyone, but of course the participation of Guts, Caska, Griffith, and a few other high ranking members is crucial. For these men — and woman — who are destined to be low lives with not much of a future, being led by Griffith towards a much greater goal is a gratifying experience. They live and breathe battle because it is their nature, but they are content to fight for the will of their leader.

Griffith is a man that seems to glow with omnipotent power while performing his actions. He is overwhelmed by a desire to obtain it all, henceforth he wants his own kingdom. From the depths of the commoner’s world he wishes to rise up to the peak of success and he is willing to do anything and everything he can to fulfill his dream. Guts, his partner and good friend, is a large part of realizing that obsession and he is able to continue and reach higher and higher because of the support of his subordinates.

Guts has a very striking attribute which is his huge sword, a key aspect of what makes him a badass character. If you’re like me you might be reminded of Cloud’s Buster Sword from Final Fantasy VII or Sanosuke’s Zanbatou from Rurouni Kenshin. His sword isn’t as thick as the Buster Sword or the Zanbatou, but it’s still very long and heavy. It ties in well with the skills and finesse of the characters which are a little on the realistic side, although stamina and endurance are grossly exaggerated. Much like other medieval stories, a one hit strike is all it takes to down your opponent. There’s nothing but the speed, strength, and angle of an attack with no exaggerated skill-sets. I’m not disappointed by this type of combat, but some of you may want a bit more names to remember for each attack.

When I consider everything, Berserk does a good job of delivering powerful thought-provoking revelations from the characters. The key characters are driven by personal desires while interacting with each other solely based on those desires. In addition, the battles and tactics in Berserk are fun to watch, but they are not quite as exciting as scenes in more modern anime. However, for such an old show I must applaud the overall effort.

The end of the anime is a huge twist from the rest of the show. It ties into the first episode which you won’t understand when you watch it the first time, but after watching the end you can rewatch the first episode and you’ll understand what’s going on. A little investigation revealed that Berserk was planned as a 26 episode anime, but financial trouble cut it to 25 which is too bad.

Berserk doesn’t win me over for any specific creative aspects, but it’s a good overall combination of violence, romance, and typical tough guy shounen drama. If you watch it and you’re interested in the story you’ll need to find the manga to get the rest of it because the anime cuts off right at a huge turning point. The way it ends is effective enough to stand on its own as a dark event with little to no hope, but I can’t help but feel cheated. It’s still a good adventure show though, and deserves to be watched.

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Review: Hana Yori Dango (TV)

Running time: 24 minutes
Number of episodes: 51
Vintage: 1996-09-08 to 1997-08-31
Age rating: Older Children (May contain mild bad language, bloodless violence)
Genres: Comedy, Drama, Romance, Shoujo, Slice of Life
Production: Toei Animation
Broadcaster: Asahi Broadcasting (ABC)

Source: Anime News Network

Hana Yori Dango (Boys Over Flowers) is a fairly old but solid romance story. The first thing that I noticed when I started watching it was how similar it looked to Marmalade Boy, a series that I dropped months ago. I did a little research and I finally got the answer when I found out Yoshihiko Umakoshi was the character designer and animation director for both Marmalade Boy and Hana Yori Dango. They are both shoujo series that deal with female leads fighting the turmoils of love with other male characters. I dropped Marmalade Boy because it dragged on and on about little things, so the show became too long to enjoy. There were too many love interests and crushes that it didn’t move me at all, plus the filling content was redundant and off course. Hana Yori Dango fixes a lot of the problems I had with Marmalade Boy by being shorter and more focused on true and meaningful love and romance. It’s also a fairly original school anime romance story, unlike Marmalade Boy that didn’t do anything special beyond the school yard setting.

The story begins with Makino Tsukushi, a regular girl going to school at Eitoku Gakuen, a super rich school where high class students attend. She miraculously got accepted, so her parents, as poor as they are, work hard to send her to such a extravagant school for her to have a better future. While at Eitoku she has lived in the shadows by not generating any attention to herself, a striking difference from her lively middle school school days. At Eitoku there is a group of 4 male students known as the F4, short for Flower 4. They are the richest and most powerful heirs to giant corporations who use their power and influence to reign havoc upon their school. Even the teachers are afraid of them because of what they can do. They cut class repeatedly and are not even forced to wear the school uniform because they do as they please.

One day Tsukushi finds her way in their path when she tries to help her only friend being bullied by the F4. She unwillingly breaks her silence and is immediately noticed by the F4, so now they turn their sights to Tsukushi. They force a group of guys to go after Tsukushi and she is cornered. One of the members of the F4, Hanazawa Rui, is different from the rest, and Tsukushi finds comfort in being at Eitoku when for some reason Rui saves her from being bullied. Tsukushi gains confidence and fends off the F4 with her wild and violent personality, something unheard of at Eitoku. Even though they fight and growl at each other, Tsukushi eventually ends up getting closer and closer to the F4 because she is different from all of the cookie-cutter gold-digging girls at Eitoku. They take notice of her unique view of life and this gives fruit to the overall romance story. It’s a bumpy road with lots of triumphs and defeats, but in the end the path leads to a better place.

The conclusion to this anime lacked enough power to fully satisfy me, but nonetheless it ends well. I was rooting for the pair that got together all along so I’m glad it ended the way I wanted it to end. If you’re into shoujo this is a pretty good one that’s serious and takes you deep into the minds of the characters. It doesn’t fall flat on its face by trying to appease to childish crushes and instead goes right into more deep passionate feelings. For such an old show it does a good job of providing a solid romance story with a concentrated group of meaningful characters with real feelings and thoughts. Not bad at all. It has its faults but it’s worth a watch if you need some old but enjoyable shoujo.

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Italian opening ~spoilers~ (contains many scenes from the anime):

Review: Top wo Nerae 2! Diebuster (OAV)

Running time: 27 minutes
Number of episodes: 6
Vintage: 2004-10-03 (Episode 1 AT-X broadcast)
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Adventure, Comedy, Drama, Mecha, Military, Science Fiction, Shounen
Production: GAINAX, Bandai Visual, Victor Entertainment
Director: Kazuya Tsurumaki
Storyboard: Hideaki Anno (Ep. 4), Kunihiko Ikuhara (Ep. 2), Masayuki (Ep. 5), Matsugu Higuchi (Ep. 1), Tadashi Hiramatsu (Ep. 3)

Source: Anime News Network

Diebuster, also called Gunbuster 2, is the sequel to Gunbuster, an awesome mecha series of serious ass kicking fun. It also goes by the longer name Top wo Nerae 2! Diebuster (Aim for the Top 2! Diebuster), but I’ll stick with Diebuster. In the beginning of the show I couldn’t see any relationship to the original Gunbuster in any form. What did jump out at me was the art style, which felt very similar to the art in FLCL and Neon Genesis Evangelion. This comes as no surprise after further investigation since Diebuster’s character design was also done by Yoshiyuki Sadamoto who worked on the aforementioned projects. The beautiful art style is accompanied by quality animation that I feel would make even the pickiest otaku smile with approval.

Diebuster stars Nono, a girl who runs away from home with a dream to become a space pilot much like main character in Gunbuster. Things don’t go exactly like she planned and she ends up in a dump working as a waitress. For some reason though, no matter how bad things appear, she remains optimistic that she will reach her goal. One day a mysterious girl walks into the shop where Nono works and stops some perverted guys from going too far with her on her shift. The girl who helps Nono ends up to be Lark Melk Marre, none other than a Topless — a real space pilot. Nono runs after the girl in order to say thanks and ask for help on how to become a space pilot. Lark immediately refuses and tells Nono she doesn’t have a chance. Despite this, Nono remains optimistic and energetic about meeting Lark and goes as far as label her as “onee-sama.” In Nono’s mind Lark is high upon a pedestal and she looks at her as the epitome of justice and righteousness.

Shortly after these events all hell breaks loose when the characters come face to face with a space monster, the same fearsome enemies that the characters in the first Gunbuster fought. You will immediately appreciate the much more modern animation, and all of the over-the-top action that seamlessly blends together. It’s a lot more frantic than the original Gunbuster, and if you’ve seen FLCL before you will appreciate the similarity in art and presentation. Lark shows off what she’s got and commands her Buster Machine, Dix Neuf, into battle to save the day. Nono surprisingly gets involved with the battle and she slowly eases her way into the world of space pilots.

The Topless end up becoming a big part of the world of Diebuster. The Buster Machines in Diebuster are quite different from the ones in Gunbuster. This time Buster Machine pilots require a special latent power that is only found in young people. This power allows them to sync with their Buster Machine and fight the space monster menace. When these “Topless” are found they are allowed into the “Fraternity” where all of the Topless combat space monsters to defend humanity.

The musical score in Diebuster is a great mix of modern ambient music, but taking the spotlight is the same classic drums and horns that has become iconic of Gunbuster. It’s used in the same fashion as it was used in Gunbuster and introduces the next big scene where the ultimate ass kicking is sure to occur. I had my hopes up for a little more music diversity like what was done with FLCL and The Pillows, but my bias aside it stays true to the spirit of the Gunbuster.

Diebuster is no where near as technical as Gunbuster, and thus eliminates all of the jargon for more free-form surprises. The Buster Machines are different this time and in some ways resemble EVA’s (from Neon Genesis Evangelion) because they’re sentient and need to be “awakened” before they can function. They can move on their own, but they sync with the Topless in order to bring forth their full potential.

Simply put, Diebuster is the ultimate treat for Gunbuster fans. Each episode is somewhat self-contained, so you’ll reach some sort of conclusion at the end of each one until the finale. To be honest, if you watch Diebuster without watching Gunbuster you’ll miss out on a lot of the experience. Although in the beginning it doesn’t seem like Diebuster has anything to do with Gunbuster, later on you learn key story details that blend the two together. You will only come to appreciate them if you get into Diebuster with knowledge of some of Gunbuster’s details. Basically, Diebuster pounds you non-stop with action plus sprinkles some Gunbuster story for the fans. This all leads to a great ending that can only be fully understood by those who’ve seen Gunbuster.

It’s difficult to explain why you need to watch Gunbuster without spoiling the end, but if you are a fan of Gunbuster it’s a requirement that you watch Diebuster to get the full experience. It’s one of those special moments that remind you how expressive anime can be.

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Review: Top wo Nerae! Gunbuster (OAV)

Running time: 30 minutes
Number of episodes: 6
Vintage: 1988
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Adventure, Comedy, Drama, Mecha, Military, Science Fiction, Shounen
Production: GAINAX, Bandai Visual, Victor Entertainment
Director: Hideaki Anno
Storyboard: Hideaki Anno, Shinji Higuchi

Source: Anime News Network

This anime goes by many names such as Top wo Nerae! (Aim for the Top!), Top wo Nerae! Gunbuster (Aim for the Top! Gunbuster), or just Gunbuster. I’ll stick with Gunbuster.

Gunbuster is Hideaki Anno’s first work as a director, and for that reason alone it deserves a special spot in anime history. Anno is best known around the world for directing Neon Genesis Evangelion, but his work in Gunbuster is at least equally as transcending. In many ways I’m willing to argue that Gunbuster is even more compelling than Neon Genesis Evangelion. Something interesting to note is t hat Gunbuster was the first anime to feature animated bouncing breasts, so you can thank Anno for that!

A good way to describe Gunbuster is to just say it’s about the largest mecha in anime history and their pilots beating the crap out of huge space monsters that want to destroy the human race. The space monsters attack in impressive numbers so humanity has to literally destroy them by the billions at a time. This, albeit an accurate description, isn’t quite enough to fully convey what you will get out of watching Gunbuster. It is truly an escapade into a time where we have to decide how we’re going to save ourselves from the greatest threat ever imagined.

The anime stars Takaya Noriko, a young girl studying at a Space Pilot High School for girls in Okinawa, Japan. She enrolled in that particular school with the goal to become a space pilot. Her father, Takaya Yuzo, was an admiral commanding the Luxion, a ship that was destroyed early on in the war against space monsters. A few crew members survived the attack but unfortunately Noriko’s father went down with the ship. Noriko had dreamed to become a space pilot long before this incident, and when she heard of her father’s death it was hard for her. She was only 10 at the time when she got the news, but now she’s 17 and once again is determined to become a space pilot.

While training she finds out she has a lot of problems piloting the RX-7 Machine Weapon, which is the standard mass-produced mecha used to fight the alien drones. Many of her schoolmates tease her for her lack of skill and exceedingly joke that if she is ever promoted to a pilot it’s due to her late father’s position. All of these events eventually trigger her encounter with Amano Kazumi, the top student at the school and the most likely candidate to become a space pilot. Kazumi gives Noriko a few words of encouragement which help Noriko boost her spirit and advance towards her goal. This scenario introduces the much bigger drama of the story following alongside Noriko and Kazumi as they strive with personal matters and the responsibility of protecting humanity.

Although Gunbuster is quite old, it has aged almost too well and rivals many of the anime I’ve seen come out in recent years. The first episode is merely an introduction to a much larger and engrossing plot, so don’t let it become a barrier when approaching the show. Once you get passed the school setting you will see how much deeper the story becomes.

The characters are all convey feelings deep inner thoughts in a very convincing way, and if you’ve seen Neon Genesis Evangelion you will start to see similarities between the characters of both series. Gunbuster is a tad realistic and contains a lot of space-age jargon that won’t quite make sense to you unless you’ve been exposed to sci-fi stories with complicated physics and the like. The characters in the anime will experience time dilation, which means time slows down for those who travel at sub-light speed. This becomes a core element in the drama and it’s presented in such a very realistic and gritty fashion that I was amazed. It really makes you doubt that Gunbuster was made in 1988.

The technology in the show is incredible, especially when you consider the small scope of its proposed time-frame. In Gunbuster, the Luxion is one of the earliest ships known to be capable of warp-speed space travel, and its intended purpose was to explore the outer reaches of the Milky Way. According to the anime, the construction of the Luxion begins in 2006 and is completed by 2013. This entails that the jump in technology from 1988 to 2006 is huge and far different from reality. Anno did not have the luxury of knowing exactly when such a leap in technology would make sense way back in 1988. Even today we’re far away from most sci-fi dreams and we can’t warp across the galaxy. He did, however, have the luxury of dealing with a fiction story and having little repercussions whether or not he was even close to being accurate. It’s been at least 18 years since the first release of Gunbuster, so many of the people (including myself) who watch Gunbuster today will consider it more of an alternate reality than a far look into the future. This means we lose the veil of mystery that makes us ponder off into a far future if we consider the hard facts the anime is based on. We are now living in part of the time-frame of the story, so it can feel a little distracting. However, everything else about the show far surpasses this small setback. It hardly takes you completely out of the experience, but there’s no denying Gunbuster should have been much more effective back in 1988.

The enemies in Gunbuster are called space monsters and without giving too much away they are giant insect-like beings that roam the universe killing all life. They search and destroy any sentient beings they find. They are also referred to as the “anti-bodies” of the galaxy. All things considered, they truly are humanity’s greatest threat and aiding them is their tendency to attack in giant swarms that number in the billions of units. This creates situations where animated mecha combat can really shine since there’s explosions and dodging maneuvers non-stop, units calling out for support, and the inevitable loss of human lives. All of this creates a lot of tension in the fighting, but the powerful mecha drive a sense of excitement since you’ll always want to know what’s going to happen next.

The musical score is quite dated, so it probably won’t be as effective as it would of been in the 80’s. It consists mostly of horns and drums of differing pace depending on the situation and they’re used quite often to introduce the next big thing to appear on the screen. It’s literally how you know something is going to die. While this quickly becomes a predictable pattern, it’s still quite effective. When you hear drums you’ll get excited and not necessarily prone to be disappointed as it is always something amazing that happens. Gunbuster is all about kicking alien ass and the classic music works in driving anticipation of the action.

The end of the anime is spectacular to say the least. If you decide to stick with the show long enough to see it, trust me, you will enjoy it. It’s truly a touching moment and for anyone who enjoyed it back in the 80’s I’m willing to agree it’s a timeless moment and a definite classic in anime. For those worried, it’s completely different from Anno’s more famous attempt at ending a story with Neon Genesis Evangelion. Contrary to Neon Genesis Evangelion, Gunbuster ends well — you will be satisfied.

I’d like to thank The Gunbuster Index for providing a huge amount of information that helped me write this review.

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Review: Otaku no Video (OAV)

Running time: 50 minutes
Number of episodes: 2
Vintage: 1991
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Comedy, Drama, Historical, Magical girl, Mecha, Science Fiction, Shounen
Production: GAINAX

Source: Anime News Network

Although this isn’t quite relevant to this review, I feel its necessary to mention that I don’t consider myself a true otaku. In a less than humble expression I feel that I lack the strong qualities of devotion and dedication a true otaku possesses and therefore I deem it necessary to not label myself as a true member of the exclusive social group. I don’t alienate myself from true otaku because I fear the label or the implications associated with it, in fact I look up to the most hardcore, but I genuinely don’t have the inner drive that it takes to follow through with core aspects of the lifestyle. I’m pretty apathetic towards most popular “moe” elements such as magical girls, loli, and the like. I’m not even into cosplay in general, although I’ve seen a few in pictures that have impressed me. This puts me at a disadvantage to position myself as an authority on any given subject where a true otaku would show true dominance, making my judgment seem obtuse by comparison. As such, I write this particular review with the careful observation that I am sailing into unknown waters so I’ll try my best to be less partial and biased.

Otaku no video is most likely a well-known OAV and I wouldn’t doubt many people consider it an essential introduction to anime in general. Putting aside my ignorance of the significance of this particular OAV, I ventured on and watched this show and I can honestly say it’s worth watching if you want insight into the world of a true otaku. The OAV is quite old but still encompasses many of the cultural aspects of being an otaku that still exist today. It’s by no means an accurate depiction of the social activities of otaku since it really does feel scripted and sensational, but its totally worth your time if you’re into the subculture of anime.

The show itself starts off with a regular guy named Kubo who’s a freshman in college and enjoying life with his girlfriend who’s been with him since high school. His life is very social and active, so you could say he’s a very good example of a “normal” guy. By chance he finds himself meeting his old high school friend, Tanaka, who’s the leader of an otaku club. They end up spending lots of time together and little by little Kubo’s life drifts away from a regular guy social guy to that of a real gritty and dirty otaku. This begins the roller coaster ride where you will learn of the hopes and dreams of a bunch of otaku. You will find stereotypes for every kind of otaku, including science fiction, military, and other specializations, plus the legendary female otaku that looks good in cosplay. Along with this, the show has a habit of breaking the core animation’s story with live-action scripted scenes where random Japanese men are interviewed and they explain how they grew up as hardcore otaku. The second episode of the OAV continues the tale but in a much more fantastical way and finally concludes the main story of the anime.

The story of the anime isn’t breathtaking in any way and I certainly wouldn’t consider it brilliant in any particular aspect, but it’s still educational and entertaining. The way the lifestyle of otaku is explored is timeless in itself since it freezes in time the way otaku lived in the 80’s and 90’s. Today’s otaku hasn’t changed much, but thanks to the internet many more people are being influenced in massive quantities. The anime industry is much more mainstream and there’s a plentiful amount of mature content (not necessarily adult content) that has made the notion of otaku as a whole less demeaning.

If you’re obsessed about anime you owe it to yourself to check it out, and even if you don’t really care about the subculture you should still check it out if you can. It’s a good experience to have under your belt that will provide a vast amount of historical value of the Japanese otaku culture that is now less “Japanese,” and more global than ever.

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